Saisir l'Ephémère - La Défense #2
By Hans-Josef Jeanrond on Saturday 17 February 2007, 14:18 - La Défense - Permalink
Saisir l’éphémère ?
What is ephemeral about office towers?
Nicht so sehr „Vergängliches festhalten“, sondern „die Vergänglichkeit des
Subjekts erfassen“.
"Saisir l’éphémère”, catching the ephemeral, may seem like a strange concept
in conjunction with buildings constructed for eternity - at least in the
intentions of their proud creators. Of course, if you had a chance of looking
at some of the sources cited in the previous posting on the history of La
Défense, you realise how things changed there over time. And if you take a look
at the many sites under construction today, you will see quite dramatic changes
happening right now, destruction and (re-) construction.
But my notion of the ephemeral is not so much centred on the long term
evolution of La Défense (or that of my other subjects) – I am rather interested
in showing the ephemeral nature of my subjects in a single image (or in very
few images showing different aspects of a subject).
The reflection of buildings in other buildings "deconstructs" them,
sometimes just leaving a fleeting image, floating without gravity, a blurred
memory of the original structure. At the slightest change of light, the image
disappears, reminding us of the ephemeral character of everything we construct.
The juxtaposition of new and old, of works of art and functional buildings also
provokes reflection on the persistent and the ephemeral. Some of the first
images of reflections struck me as a surprise: leaving a business meeting at La
Défense, and carrying my camera with me as always, I lifted my head and
suddenly saw these images that I had never seen before passing the same spot.
Had they always been there? Would they be there tomorrow? Try to see for
yourself when you pass by. I don’t think you will ever see quite the same
image: Light and colours change all the time, the surface of the buildings is
more or less clean and reflecting, the air is crisp or smoggy. And of course,
you look at things differently.
''This amazing reflection of the Tour Elf
(now Tour Total) in the almost black surface of the Tour Framatome (now Tour
Areva) struck me at an evening while walking towards the RER train station. I
had never seen the reflection so strongly and I have hardly ever seen it like
this again. When I tried to sell the image to Total (then TotalFinaElf) a very
kind lady told me she could never use the image since it showed the "wrong
logo", albeit as a mirror image. I argued that it was no use trying to reshoot
the image, since no company could call itself "TotalFinaElf" in the long run,
even thoug this incredibly long name had been fixed (necessarily in rather
small letters) at the top of the tower. I think she agreed with me, but could
not say so without contradicting company policy. Of course, the long name has
disappeared today, and the top of the tower is adorned with the "Total" name
and logo. So much about the ephemeral character of companies.''
''Emerging from the bowels of the CNIT
after a day at a trade show, I was dazzled to see this image of the CNIT and
Tour Cegetel (Originally Tour Bull, Tour SFR today), floating as a reflection
like an ice cube in glass of Martini. When I dropped my briefcase and took out
my camera, aiming with a rather large tele-lens at the shopping centre across
the Esplanade, several other people in business suites stopped to look at the
image my lens pointed to, and exclaimed in surprise. Most of us must have come
out of the CNIT on similar occasions dozens if not hundreds of times.
Apparently none of us had ever looked up to see what we saw now. Maybe the
image was never quite as clear. Maybe the photographic process hightened the
blue of the skye reflecting in the green glass of the shopping centre. If it
did, it certainly concurred to show what I saw. Or did it change my memory of
the "real" image because this is exactly what I would have loved to see? Did I
see this because my mind "corrected" the image at the instant I saw it? Did my
fellow onlookers see the same blue skye on green glass? I have never seen this
image again quite the same way.''
If you don't see the "ephemeral nature" of the Tour Descartes in the first
image below, maybe you will see it in the second - and better understand what I
am talking about.
Human beings are passers by in the universe of these photographs, if they
appear at all. With several ten thousand people working at La Défense, you can
of course also take pictures there with lots of people. Most of the time they
are in movement, bustling. One of the most amazing “static” crowd images
presented itself to me on an early spring day, when hundreds of darkly clad
business people simply stood there turning their faces to the sun. They
reminded me of birds gathering before migration.

"Spring Birds"
Most of the photographs on this topic can be found in my Web-Gallery "La Défense", but those of the Louvre and the BNF (Bibliothèque Nationale de France) have been taken in the same spirit. (Gallery Paris).


